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supported by 9 fans who also own “Devil Show”
This is the first album I found that really spoke to me as a young fem. From the simplicity, the bass drum, specifically in landfill is so steady and soothing. I love landfill because it perfectly portrays trauma bonds, sexual or romantic relationships rooted in power imbalance. Being led on, unrequited love, constantly being clueless if someone is a real friend, or a lover. Are they yours or are they ruthlessly rogue. Untameable. Love and hate are such similar feelings, and they often mingle.
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Indietracks Compilation 2012
by Various Artists
supported by 7 fans who also own “Devil Show”
Great value and these comps really do highlight just how much good music is around.
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supported by 7 fans who also own “Devil Show”
This really is a thing of beauty. Sun's going down and I'm gently relaxing when there's so much happening to oppose that state in these extraordinary times. (And much of it caused by humans.) Thank you, Rachel.
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Get groovy with the new one from Orions Belte, an album bursting with lithe basslines and hooky melodies.
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Driving yet melancholic post-punk from Pale Blue Eyes recalls the glory days of '80s UK indie.
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The Nightmare Gosifur pt 3
by Adrian Sood
In Adrian Snood’s songs, soulful vocals and slow-moving alt-pop swirl together to create something distinctly moving.
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Don't Fall In Love/Wish
by Still Corners
supported by 6 fans who also own “Devil Show”
Always Loved Still Corners, Such A Different Tone.
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